Monday, December 7, 2009
Saturday, December 5, 2009
Roll Tide
I mean, I can't hate anyone in the SEC, not even Florida. They don't look good in white and they haven't lost a game since September of last year. It is only natural to loathe who's on top (ie Harvard, Duke basketball, Washington DC) but as history goes, nothing gold can stay. As much as I hate houndstooth beer mugs and all the talk about "Bear and the good ole days", Alabama is going to win this game. If both teams do their job, it will be a grudge match of a great game and the first conference title game to match undefeated teams together. Plus, you've got the two best defenses in the nation. The matchup will also dictate the first time a team in the Top 3 will lose since early September.
Thursday, December 3, 2009
Cudoki
Wednesday, December 2, 2009
No Worries

Have Mercy on yourself, you're beautiful.
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Tuesday, December 1, 2009
Monday, November 30, 2009
Monday Blues
Thursday, November 26, 2009
Happy Thanksgiving
Friday, November 20, 2009
Mornings
Monday, November 16, 2009
Mao
The funny thing about this is that, in China, this a good thing. Mao is kitschy and cool, in ironic fashion. Of course, some folks in the United States will eat this up, declaring to the heavens the woes and rot that are sure to befall our blessed nation thanks to the Obama administration are not unlike the atrocities that befall the East under Mao Tse-Tung. Mao was a monster but his likeness has aged into a different set of imagery, which won't be understood by the right wangers who think the word "kitschy" is Hebrew or something.
Sunday, November 15, 2009
Saturday, November 14, 2009
Great Men
Friday, November 13, 2009
Caves
Wednesday, November 11, 2009
Don't Worry
Sunday, November 8, 2009
Big Plans
Tuesday, October 27, 2009
Slow Your Roll
Monday, October 26, 2009
Tuesday, October 20, 2009
Death From Above
Whining: None
Lyrics about feelings: None
Acoustic guitars: None
Guitars, period: None
Socially redeeming value: none
Pretentiousness: None
Percentage of this album's running time that makes me bang my head, tap my foot, or even make me attempt something bearing a passing resemblance to dancing: 100
With a breakdown like that, it's easy to see why Death From Above 1979 were able to lend a brief injection of vitality to the too often dull and self-important world of rock. There may not be any guitars on this album, but the monster riffs and screeching feedback of Jesse F. Keeler's bass and the pummeling, frantic drums of Sebastian Granger intertwine to create some of the most infectious, memorable, and downright fucking amazing music released so far this decade, regardless of genre. Sure, every song sounds basically the same, with some faster and thrashier and some slower and more pummeling, but at 11 tracks covering about thiry minutes You're a Woman, I'm a Machine isn't around long enough to wear out its welcome. From opening to closing, Death From Above's debut full-length (and apparently their valedictory as well) is populated exclusively with sweaty, swaggering, libidinous tunes, topped by lyrics about the girls along for the ride.
One could, if one were so inclined, go ahead and analyze the individual songs on this album, but that would miss the point completely. This is not an album to be analyzed; it's an album to be felt, enjoyed, experienced, and remembered; whose songs will bounce around in your head for days after hearing it and make your grin your face off as well. I can't tell you how much I love this album.
Sunday, October 18, 2009
Wednesday, October 14, 2009
Reign In Blood
Being downsized stinks, as the millions of Americans who’ve been canned in the past year know. My own employment debacle involved getting laid off, getting another gig, losing that one, then getting and losing another and another as each company I found employment with went out of business in the tanking economy, almost on cue as I arrived. It seemed like a sick joke. But I wasn’t laughing.
I’m a musician and writer and haven’t had a “real job” since 1988, though in lean times I did paint apartments and once sang “Blue Suede Shoes” dressed as the ’68 Elvis at a Korean birthday party. Gigs weren’t too hard to get when I wanted them because I play a few instruments and know the words and music to something like 3,000 songs comprised of blues, jazz, classic rock, rockabilly, standards, Broadway, television commercials, novelty music and my own stuff. Rap’s O.K. with me; ditto hip-hop and salsa. The only music I never really got into was metal. That is, until my personal economy collapsed.
As a lifelong gun-for-hire, I had been used to, and O.K. with, not knowing what tomorrow would bring. I could live creatively on little dough if necessary and managed to get to India, Bali, Maui, Kazakhstan, Mexico, Central Park Summerstage and anywhere else adventure, fun or a story or gig awaited. But I had also gotten used to the steady, healthy paycheck of the daily columnist’s job I’d accepted at a newspaper in 2006.
Though I was still technically a freelancer, without benefits, vacation or a contract, the assignment afforded me perks galore, massively amped my writing chops and paid me quadruple what I’d been used to making in a year. I had, I thought, arrived, six years after deciding to make a living with words and music.
I opened a Roth I.R.A., banked half my paycheck each week, bought my wife an iPod for Valentine’s day, fixed my front teeth, finished the album I’d been recording since 2004 and recorded another disc in 2008 with a producer and eight musicians. If I met a homeless person whose tale of woe moved me, I might give him a ten after talking to them. That’s how good things were.
But in September 2008, a supervisor at the paper sat me down and said, “The company is hemorrhaging money. We can’t afford to pay you anymore.” They couldn’t afford to pay another 50 people in the newsroom, either. Two weeks later, I cleared out my desk and pocketed a letter of reference from the deputy publisher. At least I hadn’t been fired for incompetence, I told myself. And I’d saved more than six months’ salary, as the experts said you should.
But it was still a monumental shock, the end of a very exciting period of life, and it shook me like a death. My father, also a writer, had died suddenly almost exactly two years before. Losing my job felt familiar to that life-shattering event; disbelief, panic, grief, and immediate action required. I told no one except my immediate family what had happened.
Two weeks later, I secured a writing job with another company, for less work and better money. Way to go, I thought — that’s hittin’ ‘em, kid.
That company folded within a month, laying off dozens. As winter rolled on, three magazines I used to write for went out of business, and each first of the month brought a gasp and gulp as I saw the numbers in my bank account plunge.
I fought back, of course. I hadn’t spent five months meditating in an Indian ashram for nothing. I talked, wrote, baked, yelled, bawled, laughed, shared and kept on e-mailing, calling, networking and seeking paying work of any kind.
But I’m not a winter guy. No matter what else is going on in my life, if the sun is out and it’s 70 degrees, the possibilities are endless. During the freezing days and nights of January, February and March of 2009, I began waking up before dawn, nauseated. Soon, fear, doubt, self-pity and resistance to facts boiled down into a ball of almost-constant frustration and anger.
I found a therapist, thankfully covered by my wife’s insurance, and tore a rotator cuff smashing a giant cloth cube with a bat in the doctor’s office. The shoulder healed but I felt no better mentally and emotionally after two months of weekly sessions, so I quit. What I wanted was paying work. Without that, there wasn’t anything to talk about. I started taking it personally. My situation seemed no less than a betrayal from God or Zeus or Yahweh or whoever takes care of what can’t be seen to by human efforts.
One freezing day in March, Emerson, Lake and Palmer’s version of Alberto Ginastera’s “Toccata” came on my iPod. I hadn’t listened to this song since I was a teen. For some reason, “Toccata” compelled me as never before, especially the intense, frenetic, pounding ending.
Intense. Frenetic. Pounding.
I sent a drummer friend an e-mail: “What is, in your opinion, the absolute heaviest, banging-est, most insane, loudest, stupidest music of all time?”
“What a great question,” he replied. “My answer for you is the 1986 classic album by Slayer “Reign in Blood.” It’s the greatest album ever made. If you need any more help, let me know. 666.”
I downloaded “Reign in Blood” and waited to listen until I could give the album my complete attention later that day. The first song was “Angel of Death.”
I was carried off into a boiling sonic river of brutal, obscene, blasphemous noise that blasted me like a cannon out of my depressed cave and directly into the fury I was experiencing each waking day. For the next three weeks, all other music disappeared from my world. I listened to “Piece by Piece” as I dropped off to sleep at night, and the first thing I did in the morning, en route to the john, was cue up “Angel of Death.” Any gap of spare time during the day, no matter how small, was filled with “Post Mortem,” “Epidemic,” “Jesus Saves” and especially “Raining Blood.” Every other type of music seemed silly, trivial, light and useless.I didn’t bother listening very closely to the lyrics, either, despite my lifelong Ira Gershwin obsession. In fact, the less I could understand, the better. All I connected with were the screams.
After 30 days of Slayer saturation, I downloaded a blizzard of Death Metal onto a single iPod; 171 songs. Pantera. Anthrax. Venom. Cannibal Corpse. Devil Driver. If I previewed a band at iTunes and there wasn’t a WARNING: EXPLICIT label there or the tempo wasn’t insanely fast, I wasn’t interested.
Something was happening beyond the mind, the emotions and the circumstances. Music, for the first time in my life, was penetrating my body and shaking it. The force of Death Metal moved me out of my mind and into my arms, legs, head and belly. It compelled me to pull over in the car and bang the steering wheel, to run faster and farther in the freezing cold, to lift more weights and smash the heavy bag at the gym with renewed ferocity, and massively upped the intensity in everything I said, did and felt.
It also made me feel powerful enough to fight back against the injustice the world had delivered to me, to meet and embrace that inner demon who had always been told, since I was a little boy, “Smile.” “Be nice.” “Look at the bright side.” “Be reasonable.” “Don’t be angry.” Death Metal didn’t smile, wasn’t nice and there was no bright side to it. By going into my fear and anger via music, I didn’t damage myself or anyone else, and I was able to face each day again. I kept jabbing and punching furiously back at the world, at depression and rage and that low-down, no-good, rotten son of a bitch, Unemployment. Finally, the S.O.B. fell.
Spring came, and I got a licensing deal from a music publishing company for the disc I’d completed in 2007, then another, similar deal for the other CD with another publishing company. Things started loosening up: a job here, a job there. Finally, I was able to make the monthly bills from new checks instead of once again hemorrhaging savings, and I got to go to Paris to write a travel article for a new magazine in July. On my first day there, I rose at dawn, walked to the Eiffel Tower, stood directly under it, cued up “Angel of Death” on my iPod and pictured Nazi tanks rolling through. A nightmare that didn’t last, I thought. Like mine. Two weeks ago, I accepted a year’s contract writing for a media organization.
Zeus hadn’t dropped me, I finally figured out. He’d just handed me off to the devil for a few months.
Sunday, October 4, 2009
Friday, September 25, 2009
No Joy In Division
Thursday, September 24, 2009
Roll Over
Monday, September 21, 2009
Around and Around
Saturday, September 19, 2009
Pay Attention
Tuesday, September 15, 2009
Metal
Monday, September 14, 2009
By the early aughts, Trent Reznor had grown frustrated with the way Nine Inch Nails records were being released and promoted by his label, Interscope Records. “The Internet has decimated their business, and they still don’t know how instant messaging works,” he told me. He was also depressed by the pressure from the label’s head, Jimmy Iovine, to make his records more “urban.” As Reznor saw it, “This is simply, How do we smooth off all the rough edges and make you just like what’s selling now?” Iovine commissioned a number of hip-hop remixes of Nine Inch Nails songs, all of which Reznor rejected, and Reznor soon ended the relationship. “You know what, Jimmy? Fuck you. Take that beat and shove it up Timbaland’s ass.” (via)
Wednesday, September 9, 2009
Monday, September 7, 2009
Youth
Whoops
Sunday, September 6, 2009
Veni
1. Smuggle heroin across a New Mexico desert in a flatbed truck.
2. Peyote with a Native American, also in the dessert. Put “I Saw God” on repeat and wait for an armadillo to deliver a spiritual message.
3. Punch a bald eagle to death, then throw a cook out with all my friends.
4. Grow a moustache and only wear flip flops. (Possibly include a farmer’s tan.)
5. Put a leash on my cat and take it for a walk.
6. Wear a sombrero and pancho. 4 + 6 = Awesome Overload.
7. Play “The Drop I Hold” in a cemetary. Hold a seance in attempt to conjure Ol’ Dirty Bastard’s ghost. If I succeed we’ll smoke dust and rap “Brooklyn Zoo” together.
8. Convince a southern black baptist church choir to perform “Elijah” at a Sunday service. Once again, I hope this experience will reward spiritual enlightenment.
9. Hold hands with my best friend.
10. Drink cheap bottled beer. Somehow have the most hilarious time of my life and constantly do spit takes, showering my friends in booze mist. (via)
Black Lips -- O Katrina!
Saturday, September 5, 2009
Tuesday, September 1, 2009
Trance Doll
Pictureplane is new noise that takes house music and smears dayglo war paint all over its face. A whole mess of trancy synths get dragged through a scuzzy lowfi jungle, with a steady heavy beat bouncing like flashlights at night. Every day here is Halloween and time knows no different up here in Space on whatever planet Pictureplane is coming from. Its catchy as fuck and punk above alot else.